Jumat, 03 Mei 2013

[V856.Ebook] Free PDF Clausewitz: A Very Short Introduction, by Michael Howard

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Clausewitz: A Very Short Introduction, by Michael Howard

Karl von Clausewitz (1780-1831) is considered by many to have been one of the greatest writers on war. His study On War was described by the American strategic thinker Bernard Brodie as "not simply the greatest, but the only great book about war." It is hard to disagree. Even though he wrote his only major work at a time when the range of firearms was fifty yards, much of what he had to say remains relevant today. Michael Howard explains Clausewitz's ideas in terms both of his experiences as a professional soldier in the Napoleonic Wars, and of the intellectual background of his time.

  • Sales Rank: #144860 in Books
  • Published on: 2002-05-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.40" h x .40" w x 6.80" l, .21 pounds
  • Binding: Paperback
  • 96 pages

Review

Review from previous edition 'as a synthesis of Clausewitz scholarship this study can hardly be faulted'"--English Historical Review


"a delightful introduction to the paradoxes and insights of this passionate rationalist."--London Review of Books


About the Author

Sir Michael Howard has held the Chair of War Studies at King's College London, the Chichele Chair of History of War and the Regius Chair of Modern History at Oxford, and the Robert A. Lovett Chair of Military and Naval History at Yale. His works include The Franco-Prussian War, The Causes of Wars, War and the Liberal Conscience, The Lessons of History, and War in European History. Together with Professor Peter Paret he edited and translated Clausewitz, On War.

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24 of 24 people found the following review helpful.
Succinct, lucid, a good beginning.
By Epops
Clausewitz is notoriously difficult to understand, according to Prof. Howard, because so much of what he wrote was not intended for publication. As Clausewitz himself stated, he wrote a "collection of materials from which a theory of war was to have been distilled." Professor Howard, the co-author of the standard English translation of Clausewitz, begins that distillation process in these few pages.

He first places Clausewitz in context, with a review of his family origins and military experience. He was commissioned as an officer in the Prussian Army at the age of 12, fought in his first campaign in 1793 at the age of 13 against the forces of Revolutionary France on the Rhine and then in the Vosges. In 1806 he was captured following the French defeat of Prussian forces at Auerstadt, a subsidiary of Napoleon's great victory over the Prussians at Jena. He then spent two years in captivity as a prisoner of war in France. When later the Prussian king allied himself with Napoleon, Clausewitz resigned from the Prussian Army and joined the Russian Army, where he participated in the Russian victory over Napoleon at Borodino. When the Prussian King, Frederick William III, eventually joined the Alliance against Napoleon in 1813, Clausewitz became an advisor to General Blucher during the Leipzig campaign, though still in Russian uniform. After being allowed by the King to rejoin the Prussian Army he became chief of staff to the Prussian III Corps, which acted as a blocking force at Waterloo. He then spent 12 years at the Prussian Army War College, where he spent much of his time writing his most famous work, On War. He died in 1831, at the age of 51, in a cholera epidemic in Breslau, where he had been sent to institute a cordon sanitaire to prevent the disease from spreading.

Clausewitz' ideas were formed in the cauldron of the transition from formalized 18th century warfare to the total war of the French Revolution and Napoleonic era. The successive Prussian defeats had a profound effect on him, stimulating a rethinking of the theory of warfare as it evolved in his lifetime. There is much debate about how much of his work applies only to the particular circumstances of his era and how much is applicable to warfare in general.

He is frequently contradictory and ambiguous, which is not surprising, given the extreme complexity of the human social phenomenon he is attempting to analyze. These are a few of his better-known concepts:

- the FRICTION of war (now often called the "FOG of war")
- successful warfare always involves a FIGHT, although paradoxically, an "unfought fight", such as the nuclear exchange that didn't happen during the Cold War, can have as much effect as an actual fight
- the necessity of attacking the enemy's CENTER
- the power of the DEFENSE
- the necessity of SUPERIOR FORCE for VICTORY
- the importance of MORALE
- the concept of WAR AS AN EXTENSION OF POLITICS

Prof. Howard provides a good summary of the way Clausewitz influenced the ideas and operations of the great wars of the 20th century - WWI, WWII, and the Cold War - and gives guidance for further study. He recommends in particular three books:

Peter Paret - "Clausewitz and the State"
Azar Gat - "The Origins of Military Thought from the
Enlightenment to Clausewitz"
Raymond Aron - "Penser la guerre, Clausewitz"

There is as yet no complete English translation of Clausewitz' works.

Highly recommended as an introduction to the study of history's foremost philosopher of warfare.

0 of 0 people found the following review helpful.
A very helpful introduction to Clausewitz and "On War".
By Jaydee Larson
I give this book 5 stars for its thorough introduction to Clausewitz and his opus "On war".

The book is well-structured and presents Clausewitz' ideas in a informative way with a good balance of trivia, facts and well founded analyses and interpretations, while resisting the temptation to bore the reader with nerdy details. With this introduction in hand, I feel safe on embarking on a full reading of On War.

19 of 19 people found the following review helpful.
Cliff Notes to Clausewitz
By COL K E HAMBURGER
Clausewitz is notoriously difficult for the novice to master -- some would argue that no one has ever entirely "mastered" Clausewitz. Be that as it may, a legion of frustrated amateur strategists can attest to the difficulty of picking up Clausewitz's "On War" and trying to read it through without a guide. In the "Clausewitz" volume in the Past Masters series, the novice as well as the experienced strategist can gain an introduction to the master's life, experiences, and writings that will make the first reading intelligible and that will serve as a quick review of Clausewitz's main concepts in a format that can easily be read in an evening.
This is a book that should stand next to "On War" in every strategist's library.

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Rabu, 01 Mei 2013

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  • Original language: French
  • Number of items: 1
  • Dimensions: .79" h x 7.48" w x 4.92" l,
  • Binding: Paperback

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Atrocities: The 100 Deadliest Episodes in Human History, by Matthew White

“An amusing (really) account of the murderous ways of despots, slave traders, blundering royals, gladiators and assorted hordes.”―New York Times

Evangelists of human progress meet their opposite in Matthew White’s epic examination of history’s one hundred most violent events, or, in White’s piquant phrasing, “the numbers that people want to argue about.” Reaching back to the Second Persian War in 480 BCE and moving chronologically through history, White surrounds hard facts (time and place) and succinct takeaways (who usually gets the blame?) with lively military, social, and political histories. 4 maps

  • Sales Rank: #428703 in Books
  • Brand: Brand: W. W. Norton Company
  • Published on: 2013-05-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.80" w x 7.00" l, 2.40 pounds
  • Binding: Paperback
  • 688 pages
Features
  • Used Book in Good Condition

Review
“Genius.” (NPR)

“[White] doesn’t take sides so much as report the facts―and the death tolls. . . . Full of fascinating information about parts of the world little-known to most Westerners.” (Washington Post)

“White . . . gives voice to the suffering of ordinary people that, inexorably, has defined every historical epoch.” (Military Review)

“A fascinating read thanks to White’s keen grasp of history and his wry take on the villains of the past.” (Christian Science Monitor)

About the Author
Matthew White is the creator of the online Historical Atlas of the 20th Century. His data has been cited by forty-five published books and eighty scholarly articles. He lives in Richmond, Virginia.

Steven Pinker is Harvard College Professor and Johnstone Family Professor in the Department of Psychology at Harvard University.

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60 of 66 people found the following review helpful.
A fascinating and fun look at the "Heart of Darkness."
By Peter S. Bradley
I have long kept in my memory statistics such as the fact that the the Thirty Years War (1618 - 1648) managed to kill off 25% of the German population. Or there is my personal favorite - during the War of the Triple Alliance, the Paraguayan dictator Francisco Solano Lopez improbably and imprudently led Paraguay in to a war against Brazil, Uruguay and Argentina, which resulted in the deaths of something like 90% of the mature Paraguayan male population.

These statistics are simply imponderable. What was it like to live after the cataclysm of the Thirty Years War? How did Paraguay manage to continue as a nation after the debacle of the War of the Triple Alliance? How did these "democides" happen?

The Great Big Book of Horrible Things collects and ranks the Thirty Years War (Rank: 17) and the War of the Triple Alliance (Rank: 79) with ninety-eight other mind-boggling instances of man's inhumanity to man, and provides a brief synopsis of their causes, course and results, all done in a breezy and humorous approach to the all-too serious subject matter. This approach is not a flaw of the book. All but five or six of the wars are long-forgotten, and the fact that so many can die for what appear to be transient and ephemeral causes is a cautionary instruction for the modern age. Moreover, the effect that these statistics and the stories behind them have - particularly the ones removed from modernity - have on me is "Gosh!Wow!" as in "Gosh! Wow!" can you believe that Genghis Khan (Rank: 2) managed to kill 40 million human beings with nothing more than muscle powered weapons?!?!?

Each of the entries gets a fairly short write up that provides background, players, setting, course and effects of the particular piece of human tragedy being reviewed. The book covers a period from the Second Persian War (Rank: 96), circa 480 - 479, to the Second Congo War (Rank: 27) that ran from 1998 to 2002. The author Matthew White surveys the entire world, which results in entries from the Goguryeo-Sui Wars (Rank: 67) between Korea and China, crica 598 to 612 A.D., to the Bahmani-Vijayanagara Wather (Rank: 70) between Muslims and Hindus, circa 1366, in Indian, to the "Heart of Darkness" which was King Leopold I of Belgium's Congo Free State (Rank:14), circa 1865 - 1908. The result is a book that is easy to dip into to read whatever the reader is interested in, but then pulls the reader into reading "just another" selection, then another selection, as the reader is confronted by well-known and unknown mind-boggling, "Gosh! Wow!" histories of events whose passions have either died completely or are in the process of dying out.

The author has a couple of nice appendices where he crunches some numbers for determining who and what are the greatest killers. Although my senses was that he had a secularist bias, he was encouragingly even-handed in analyzing both the cliche that religion causes war and the contribution that Communism has made to mass-killing in the 20th Century. For my part, I was surprised by the number of Chinese rebellions that were inspired by a form of "Christianity," to wit, two: the Fang La Rebellion (Rank: 37) of 1120 - 1122 was led by "Vegetarian Demon Worshippers," i.e., Manichaeans, and the Taiping Rebellion (Rank: 6) of 1850 - 1864 was led by a person who fancied himself to be the "younger brother of Jesus Christ." Granted that there are a lot of Chinese rebellions that did not need to be ignited by a a Christian heresy, one has to marvel - Gosh! Wow! - about the fact that any of them - let alone two - were ignited by such an alien influence, as Christianity is to China, and ponder what effect that may have had on the antipathy of Communist China in the 20th Century to Christian missionaries. (Admittedly there are other reasons for Communists to suppress Christianity, but the virtue of a book like this one is that it allows such patterns to become apparent because of the breadth of its coverage.)

This is a great book to leave on the night stand or coffee table for those occasions when the reader has a few minutes to get lost in the the great ethnic cleansing of the Sino-Dzungar War (Rank: 67), circa 1755-1757, when China eliminated the Dzungar nation by eliminating something on the order of 600,000 Dzungars in an atrocity that has essentially been forgotten.

31 of 34 people found the following review helpful.
Like a train wrech, you just can't look away
By Mike3746
I bought this book with some hesitation. Who wants to read about a billion deaths of human beings brought on by mass homicide? It almost says something about people who would find such a topic interesting. But, I am a student of history and after reading the table of contents, I thought it could give me a few insights I might not have previously heard of. I was delightfully correct. Just about every page I found new facts and insights on historical figures, some of which I had never heard of. And, as a huge plus, Matthew white has a charming writing style that somehow seems to make the study of such gruesome subject matter easy to read all without trivializing the human tragedy of it all. What monsters we humans can be? We are just ghastly creatures and particularly beastly toward our own kind. I came away from the book a bit ashamed I am of the same species as such creeps as "Genghis" Kahn and Napoleon Bonaparte, Mao Tse Tung and Joseph Stalin. I could find no refuge in my European ancestry, either; From famous British monsters who starved millions of Indian Hindus to death deliberately or Spanish conquistadores who systematically murdered and enslaved millions of North American indigenous people. My nationality was no help either as American slave masters and traders helped butcher millions more helpless Africans and slaughter more American natives. It is ghastly, and like any unfolding human disaster you just can't look away.

I also developed a rather intense sick feeling knowing human beings have changed very little over the last ten thousand years. We immodestly pat ourselves on the back as rising to unheard of levels of civilization and enlightened social intercourse. But, whites history is unapologetically inclusive of recent acts of unspeakable barbarity, such as WWII, the senseless monstrosities from the Korean peninsula, and human induced horrors from Central Africa, and other acts of inhuman butchery many of which have happened in this century! White tries to find some pattern to it all in his closing chapters and yet, the reader has to come to the conclusion, there is nothing that can be directly blamed for it except gross human stupidity and madness of mob mentality. We really are a unique species in more way than just our so-called high intelligence. We are crafty apes, with murder in our black hearts. We are ruthless and selfish and pitiless. We are not just capable of grand individual sweeps of specie-cide, we seem to gladly and massively follow the inhuman and murderous orders of any tyrant willing to toss us a few crumbs of moldy bread to us so such evil creatures can magnify their well thought out horrors a million fold. It is fascinating and disgusting, horrible and informative, sickening and intriguing to learn this dark side to our own inner psyche. The word "humanity" takes on an entirely different shade after reading this well written and intensely informative book.

2 of 2 people found the following review helpful.
Historically, Life Has No Value …
By DACHokie
ATROCITIES: THE 100 DEADLIEST EPISODES IN HUMAN HISTORY provides a blunt view at mankind’s destructive ways from the Second Persian War (480 BC) to the Second Congo War (2002). Between these two bookends are a multitude of wars, genocides, rebellions, crusades, revolts and general acts/missions of deadly cruelty that consumed hundreds of millions of lives. As astonishing as the sheer number of deaths are, even more astonishing is that author Matthew White only details and ranks (by death toll) the 100 deadliest events. What makes ATROCITIES such a worthy reference is not only the abundance of details, but the presentation of the material along with White’s mordant narration.

Organized in a chronological manner, each “episode” (war, genocide, etc.) is presented as a chapter. Each chapter includes a summary header that encapsulates the episode by including: death toll, participants, time frame, location, general reasoning behind episode, who or what’s to blame and the episode’s rank on the list of 100. Following the header, White delves into the dirty details of the event in a succinct manner that is rich with details. His witty summaries of each episode include a degree of sarcasm that somehow manages to blend the grave subject manner with a bit of humor. The humor relates mostly to how mankind’s stupidity often leads to mass death … many of the episodes presents will have readers shaking their heads. White makes the depressing topic rather enjoyable to read. There are no illustrations/pictures (other than the cover) and only a handful of maps in the book, but the text renders such visual aids unnecessary. The appendices at the end of the book provide the rationale behind the rankings, additional summarized data and the sources used to create the book.

Overall, ATROCITIES is a terrific and useful reference that brings to light many lesser-known historical events from all over the world. There were quite a few episodes that I had never heard of, especially in Africa. I have always enjoyed almanacs, older versions of the Guinness Book of World records and The Book of Lists, so this book really hit the mark with me.

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Selasa, 30 April 2013

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Glass Engraving: Lettering and Design, by David Peace

David Peace is one of England's foremost glass engravers and here he examines the history of letter forms and techniques of glass engraving. He covers many new aspects of lettering from design principles. Goblets, bowls and decanters are analyzed in detail, together with examples of architectural glass, in situ engraving and sandblasting for large-scale work. Stress is laid on design in relation to its site. Presentation glass, heraldry, trophies and windows are all dealt with and a chapter is devoted to the work of many present-day master craftsmen. The book also throws new light on Eric Gill's lettering and shows his influence on the author's work.

  • Sales Rank: #4936442 in Books
  • Published on: 1986-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 168 pages

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0 of 0 people found the following review helpful.
Five Stars
By Juan Mijares
Very good book. As a reference book and as reference material of styles and historical purposes. Very recommended.

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Sabtu, 27 April 2013

[G264.Ebook] PDF Download Across This Land: A Regional Geography of the United States and Canada (Creating the North American Landscape), by John C. Hudson

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Across This Land: A Regional Geography of the United States and Canada (Creating the North American Landscape), by John C. Hudson

Based on decades of research and written in clear, concise prose by one of the foremost geographers in North America, John C. Hudson's Across This Land is a comprehensive regional geography of the North American continent.

Clearly organized, the book divides the entire United States and Canada into six major regions, then further subdivides them into twelve smaller areas. Hudson emphasizes each region or area's distinguishing place-specific attributes, including―to a larger degree than previous regional geographies―political considerations. In this way, the book tells the story of each region, relying on a brisk narrative that reveals the dynamic processes of their distinctive characteristics.

The first extensive regional geography of the North American continent in over seventy-five years, Hudson's Across This Land will become the standard text in geography courses dealing with Canada and the U.S. as well as a popular reference work for scholars, students, and lay readers.

  • Sales Rank: #218366 in Books
  • Brand: Brand: Johns Hopkins University Press
  • Published on: 2002-02-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.21" w x 7.00" l, 2.28 pounds
  • Binding: Paperback
  • 474 pages
Features
  • Used Book in Good Condition

Review

"A readable and informative volume that is not limited to one phase of geography, but which includes the physical, historical, economic, human, and political aspects of the topic."

(American Reference Books Annual)

"A well-written story of a land and people, enhanced by photographs taken over a 20-year period. The narrative is tied to a series of fascinating and uncluttered maps, which enable readers to relate place and circumstance... This regional study of the geography of North America is as comprehensive as it is excellent."

(Choice)

"This fact-packed, well-organized and felicitously written book goes miles beyond the mere recitation of state capitals. Drawing upon his nearly 30 years of teaching university-level geography, Hudson offers a comprehensive history of the geological, agricultural, topographical, industrial, social and political development of the United States and Canada."

(Northwestern)

"The delicious historical details are interspersed with sweeping generalizations that capture the essence of each region and sub-region... It's such good reading and such a valuable resource that Across This Land is an essential book in the personal library of any well-read American or Canadian."

(Russell S. Kirby Wisconsin Magazine of History)

"This book is a genuine tour de force. Light years ahead of existing textbooks, Across This Land is a true regional geography that will benefit anyone who reads it."

(John Fraser Hart, University of Minnesota)

"Extensive emphasis on the history and politics of each region makes it unique and outstanding. The book offers a new direction for teaching the regional geography of the United States and Canada."

(James C. Saku American Review of Canadian Studies)

"An elegantly written and concise regional geography... The result accomplishes the best intent of regional geography―to shape the character of the whole through careful description of its parts."

(Michael Steiner Annals of Iowa)

From the Publisher
"This book is a genuine tour de force. Light years ahead of existing textbooks, Across This Land is a true regional geography that will benefit anyone who reads it."—John Fraser Hart, University of Minnesota

About the Author

John C. Hudson is a professor of geography and director of the Program in Environmental Sciences at Northwestern University and the first recipient of the John Brinckerhoff Jackson Prize for popular books in American human geography, awarded by the Association of American Geographers.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Amelia Schwartz
I love this book. The addition of geographical history tidbits made my reading for class fun.

23 of 24 people found the following review helpful.
Across This Land, A Comprehensive View of North America
By Gary Cummisk
If one wants to comprehend the geography of North America, John C. Hudson's book ACROSS THIS LAND is a good stating point. Hudson breaks North America (the United States and Canada) down into twenty-seven sub-regions. The book is a comprehesive geography in that it explores the scope of the field, from physical geography to the realms of culture, economics, and history. To understand the contemporary landscape and the forces that shaped it, one must look into the past. Hudson's analysis is well-written and engaging. I use this book, which is written for a general audience, as a text for my course in Geography of North America at Dickinson State University.

0 of 0 people found the following review helpful.
Non-traditional
By Jonathan
This is a detailed account of the US and Canada. It is more sociology, history, and economics than "geography" in the old sense of the word. Good read.

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Jumat, 26 April 2013

[I631.Ebook] Ebook Download English Gothic: A Century of Horror Cinema, by Jonathan Rigby

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English Gothic: A Century of Horror Cinema, by Jonathan Rigby

From the silent era to �Hellraiser,� a compelling illustrated history of the British horror film, featuring 100 key movies and 150 illustrations, stills, and photos.

  • Sales Rank: #687683 in Books
  • Brand: Brand: Reynolds n Hearn
  • Published on: 2000-07
  • Original language: English
  • Number of items: 1
  • Dimensions: .72" h x 7.40" w x 9.72" l,
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Though British horror films enjoyed a golden age from the mid-'50s to the mid-'70s, film critics were long reluctant to give Britain its due, according to film historian Jonathan Rigby. He buries any lingering doubts about his country's unique and considerable contributions to the genre in English Gothic: A Century of Horror Cinema, taking readers on a deliciously chilling ride from the silent era through 1975. Particularly riveting are the more than 150 film stills and other black-and-white photos that capture characters cowering in fear, being stalked by mummies and turning into werewolves; fortunately, these overshadow the small type, packed too tightly into its pages.
Copyright 2001 Reed Business Information, Inc.

From Library Journal
This useful overview of British horror films condenses 100 years of celluloid fright into 100 key works and over 170 black-and-white illustrations. Less scholarly than Peter Hutchings's Hammer and Beyond (Manchester Univ., 1993) and less focused on a particular period than Gary A. Smith's Uneasy Dreams (McFarland, 1999), this book will likely prove more popular with a wider readership. British film historian Rigby's prose is lively and assured. His evaluative comments are worthwhile, and his recounting of historical developments is both accessible and informative. Fans will appreciate his attention to detail, while casual readers will benefit from his skilled survey. Libraries that already own Andy Boot's similar Fragments of Fear (Creation Bks., 1995) might hesitate before purchasing, but otherwise, this title is recommended for any institution supporting a large film studies collection. Neal Baker, Earlham Coll., Richmond, IN
Copyright 2001 Reed Business Information, Inc.

Review
"Jonathan Rigby... buries any lingering doubts about his country's unique and considerable contributions to the genre. A deliciously chilling ride." -- Publishers Weekly

Most helpful customer reviews

5 of 5 people found the following review helpful.
Definitive and absorbing.
By Dennis Hawley
As a huge fan of horror and science fiction films of the 'Golden Age' of the genre, I've always had a particular fondness for the (generally) more sophisticated and cerebral output of the British studios. As was the case for many of my generation ('baby boomers'), my introduction to these great films began with the legendary Hammer Studio's remakes of the classic Universal monster films, kicked off by the seminal Peter Cushing/Christopher Lee vehicle 'The Curse of Frankenstein'. I recall being scared silly as a child by the indelible image of Christopher Lee's bloodshot, snarling visage in the staircase scene from the superb 'Horror of Dracula', of having my heart race with excitement while watching Lee's turn as 'The Mummy', and, like a drug addict, anxiously awaiting the next chiller to be exported to U.S. movie screens. For those who harbor similar memories, 'English Gothic' is for you (this review is of the 2nd edition).
There have been numerous other books that took a turn at this historically important product, but none (at least that I've read) comes close to this book's comprehensiveness, style and sheer reading pleasure. Author Jonathan Rigby (an actor himself) infuses this masterful work with insightfulness and attention to detail that could well serve as a model for others. Beginning with a chapter titled 'British Horror in Embryo', it concludes with the sad (but accurately titled) final chapter, 'British Horror in Retreat'. In between one will find a veritable treasure trove of detail, the effect of which is to present the reader with a unique contribution that is at once both somewhat scholarly yet readily accessible. While this loving treatment of British horror films (broadly defined, as it encompasses related mystery and science fiction titles as well) stands on its own, the book offers much more. It provides for a fascinating sociological context as well: the output of British studios, both in quantity and theme, reflect the socio/political milieu of the times. In addition, it does what no similar book has done, which is to provide a sense of what British Gothic film making was really like. It's almost like being an invisible observer, hovering over the studios during production. Even movie fans that do not care for horror films would find this aspect of the book worthwhile.
The book's 260-plus pages give appropriate focus on the aforementioned grandfather of British horror, Hammer, without cutting short the contributions of other notable studios (such as Amicus and Tigon), as well as the sometimes complex co-production arrangements between these studios and those of other countries (for example, the collaborations between Hammer and such American production companies as AIP, Universal and Warners). Such detail is very informative. It's surprising how many such films, perceived as American, were in fact British productions (such as 'Fiend Without a Face' and 'First Man into Space').
While American readers will find themselves at a slight disadvantage with the lack of familiarity with references to established British character actors, television programs, scene locations and the occasional slang phrase, this is a minor distraction. If you're a fan of British horror/science fiction, or simply of film making in general, 'English Gothic' deserves a place in your library.

3 of 4 people found the following review helpful.
Essential for the Horror Fan
By Michael Samerdyke
This is one of the best books written on the horror film. Rigby writes well and is very informative about the development of the British horror film from silents to the Nineties.

Of course, the heart of his book is the era from 1956-74, roughly from "The Creeping Unknown" to "The Wicker Man." Even if you have read about Hammer films before, Rigby has something new to say. He has seen EVERYTHING from this era, and his book steered me to fascinating movies like "Demons of the Mind" and "And Now the Screaming Starts" that I would never have heard of otherwise.

I don't agree with all of his opinions. (Rigby is incredibly down on the movies of Amicus Studios.) But Rigby really appreciates Peter Cushing, Christopher Lee, Terrence Fisher and Freddie Francis, making this a fun, informative read. Horror fans could only do themselves a favor by buying it. A most enjoyable book and one that the reader will go back to many times.

9 of 10 people found the following review helpful.
a review from England
By A Customer
SINCE THE AMAZON.COM SITE IS NOT INTEGRATED WITH THE AMAZON.UK.COM SITE, I DRUG R.TRIPP'S REVIEW TO THE U.S. SITE:
R. Tripp (Gavcrimson@tesco.net) from london, england , 15 August, 2000 The Life and Times of the British Horror Movie.
As the opening chapter to English Gothic-a century of horror cinema by Jonathan Rigby notes there is a tendency among British books on British horror films to be divided into camps. The Seventies offered an endless gravy train of coffee table books, poor old Denis Gifford had a noted passion for horror films of the Thirties, but ignored Hammer films and pained himself to mention anything from the dreaded permissive society. Even younger critics who carried the Hammer torch spat venom at everything that came after. Ever since then few books have covered the entire spectrum of British horror cinema without any sign of generation gaps- the only one in recent memory being Fragments of Fear by Andy Boot. Fragments was chatty and likeable but unfortunately stereotypical of the sort of book that David McGillivray talks of in this books afterword, full of unchecked facts, typos and riddled with errors. Compared to Fragments the tone of English Gothic is more down to business and could be accused of lacking the obvious author enjoyment of Boot's tome, but in every other way this is a superior book. For one, its not about to label Corruption (1967) as a part of the Tigon legacy, when it was made by Titan. In fact English Gothic is the Encyclopaedia Britannica when it comes to obscure facts, quotes and eye opening asides. Well researched ? most of the book is structured chronologically by the day the films went into production! This depth of information is also mirrored visually, when was the last time you saw ads, pressbooks or any pictorial evidence of films like Secrets of Sex, Cover Girl Killer or Burke and Hare?. Despite its title which gives the impression the book is strictly dedicated to period pieces, English Gothic also uncovers 60's and 70's present day titles who carry with them what Rigby dubs "a peculiarly British kind of seediness". Connoisseurs however will notice there is no mention of forgotten shorts like Death Shock and Invitation to Hell or vague transatlantic productions like Slaughter High and Living Doll, but this is the first book to cover the Sohoian likes of Cover Girl Killer and Night After Night or Norman J Warren's back catalogue (the latter notably absent from the Boot book). The sole aspect of discontent is the book's constant references to "depressingly popular" 80's slasher films since only two of the 500 films discussed (Killer's Moon, Don't Open till Christmas) could fit into this category. For all the print offered to the likes of Expose and Satan's Slave this curiously puritanical overkill threatens to drag English Gothic back to the Denis Gifford era, but its only a momentary lapse from what is otherwise an excellent book. No doubt books on British horror movies may come and go (indeed several others are in the pipeline) but in years to come its hard to imagine that English Gothic won't still be used as the definitive reference book.

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Rabu, 24 April 2013

[O328.Ebook] PDF Ebook Respiratory Notes: Respiratory Therapist's Pocket Guide (Davis's Notes), by Gary C. White MEd RRT RPFT

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Respiratory Notes: Respiratory Therapist's Pocket Guide (Davis's Notes), by Gary C. White MEd  RRT  RPFT

A Davis’s Notes book!


This pocket size, quick-reference tool puts all the respiratory therapy information you need at your fingertips. The procedure-based format includes supporting illustrations, fill-in-the-blank forms, and algorithms to help you study and guide you in practice.

  • Sales Rank: #194252 in Books
  • Brand: Brand: F.A. Davis Company
  • Published on: 2012-07-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x 1.25" w x 3.25" l, .50 pounds
  • Binding: Spiral-bound
  • 256 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

3 of 3 people found the following review helpful.
Priceless.
By E. Tenney-Domanski
I'm a student-nurse working on my BSN, and this pocket guide was priceless during my pediatric clinical rotation, with tons of valuable information on illness presentations and treatments, and some useful details on ABGs. This notebook will again be a constant companion later this summer when I go through critical care. It's worth the money, and a little time ahead of clinical to get acquainted with the content, that way you know just what to look for when you're in a rush.

1 of 1 people found the following review helpful.
Highly recommend
By Zukeasha Walker
As a student, I find this little book to be extremely helpful in the clinical setting. It is a great quick reference for medications, normal values, and respiratory equations. I also find that because the book could be tucked in a pocket or purse, I was more apt to carry it with me, and review whenever I had some downtime. So if you need the extra study time, I would highly recommend this book.

0 of 0 people found the following review helpful.
Perfect little reference!
By Jenna
I carried this with me during clinical every day. The pages can be wiped down and it fits into your scrub pockets perfectly. Lots of accurate and useful info that is nicely organized.

See all 23 customer reviews...

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