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Do I Make Myself Clear? Why Writing Well Matters, by Harold Evans
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A wise and entertaining guide to writing English the proper way by one of the greatest newspaper editors of our time. Harry Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger. He's even been knighted for his services to journalism. In Do I Make Myself Clear?, he brings his indispensable insight to us all in his definite guide to writing well.
The right words are oxygen to our ideas, but the digital era, with all of its TTYL, LMK, and WTF, has been cutting off that oxygen flow. The compulsion to be precise has vanished from our culture, and in writing of every kind we see a trend towards more -- more speed and more information but far less clarity.
Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age. Do I Make Myself Clear? is an essential text, and one that will provide every writer an editor at his shoulder.
- Sales Rank: #78383 in Books
- Published on: 2017-05-16
- Formats: Audiobook, CD
- Original language: English
- Number of items: 7
- Running time: 28800 seconds
- Binding: Audio CD
Review
''When [Evans] argues for precision in writing, lamenting that the digital age is making us sloppy, we should listen.'' --Library Journal
''In the tradition of George Orwell, who said that political language is designed to make lies sound truthful, Harry Evans reminds us how important it is to write clearly. Then he shows how. Those of us who have been edited by Harry marvel at his dexterity in unclogging dense prose, and in this book he reveals his secrets.'' --Walter Isaacson, author of Steve Jobs and The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution
About the Author
Harold Evans, the author of The American Century and They Made America, is a celebrated historian and journalist. He was the editor of the Sunday Times for fourteen years before coming to America in 1984. He is the founding editor of Conde Nast Traveler, editorial director and vice chairman of U.S. News & World Report, the Atlantic magazine, Fast Company, and the New York Daily News. In 2002 Britain's journalists voted Evans the greatest British newspaper editor of all time. He was knighted in Queen Elizabeth's 2004 New Year honors list. He lives in New York with his wife, Tina Brown, and their two children.
Most helpful customer reviews
23 of 26 people found the following review helpful.
I would recommend this book to every recent college grad entering the ...
By Alyson Podell
I would recommend this book to every recent college grad entering the job market and to anybody who has to communicate their ideas in writing. It is a fast read—I did not read the whole thing but I read enough to know that it is a good book to get my kids, both sharking their way up in the working world. Very useful. Good job Harold Evans.
0 of 6 people found the following review helpful.
Simple lessons; immature political views!
By Allen Licht
Simple words and sentences have value! Big words may indicate the mastery of writing craft, but weaken the message. In short: simple lessons from a mature writer with immature political views.
31 of 42 people found the following review helpful.
Had to stop reading
By Gerald Bresslour
I bought this book after reading a favorable review in the Wall Street Journal. I returned it after reading the first quarter of the book. I didn't know that you could return a kindle book. My reaction to the book was visceral. I couldn't bring myself to read another word. My reaction grew stronger. I wanted the book out of my life, out of my kindle. Turns out I was in time to return it. I'll be pleased to receive the refund, but the truth is that the act of removing the book from my kindle was worth it even without getting money back.
The author's advice is nothing new. Use the active voice. Keep the modifier and the modified near each other. Be concise, be clear. ("Eschew obfuscation" is another way of saying that. I saw that one written on a rest room wall in a law school many years ago.) Absolutely, positively avoid adverbs. (That was a joke.) Don't take candy from adjectives. And so on.
He offers examples for correction. The writing that he puts under the microscope is so bad that it could be improved just by rearranging the words at random. There is no great skill needed to repair such awful prose. True, the examples are taken from real life. But if you are reading this book, you are avoiding these errors already.
It was his insistence on parading his political views that caused me to send the book back instead of just putting it aside. His political views are what you would expect from the editor of a string of mainstream news publications. Whether you find those views congenial or annoying, they have nothing to do with good writing. The author ought to have written another book and put them there.
If you have gotten to the end of this book and tell me that the really good stuff starts right where I stopped reading, I will congratulate you on seeing it through. I usually feel an obligation to finish a book I've started. Not this time.
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