Selasa, 07 Juni 2011

[O578.Ebook] Download PDF THE LAST ENCHANTMENT [THE MAGNIFICENT ARTHURIAN LEGEND] BY MARY STEWARTFrom FAWCETT

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THE LAST ENCHANTMENT [THE MAGNIFICENT ARTHURIAN LEGEND] BY MARY STEWARTFrom FAWCETT

  • Sales Rank: #5707924 in Books
  • Published on: 1979
  • Binding: Paperback
  • 480 pages

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Jumat, 03 Juni 2011

[R613.Ebook] Fee Download The Structure of Modern English: A linguistic introduction, by Laurel J. Brinton

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The Structure of Modern English: A linguistic introduction, by Laurel J. Brinton

The Structure of Modern English is an extensive introduction to all aspects of Modern English structure, including:
• Phonology
• Morphology
• Lexical and sentence semantics
• Syntax
• Pragmatics

This text is for advanced undergraduate (and graduate) students interested in contemporary English, especially those whose primary area of interest is English as a second language, primary or secondary-school education, English stylistics, theoretical and applied linguistics, or speech pathology. Focus is exclusively on English data, providing an empirical explication of the structure of the language, rather than exploring theoretical questions ortheory for theory’s sake. The text does use linguistic theory but presupposes little or no background in linguistics or any particular linguistic predilection.The textbook begins with units on English phonology and morphology, including a full discussion of the grammatical categories of English. A section on lexical semantics follows which examines structural semantics,modal auxiliaries, lexical aspect and related topics. The next section analyzes ― in detail ― English syntax from a broadly generative perspective. Then there is an examination of the interaction of syntax and semantics with respect to thematic roles and event structure. A final section covers the study of information structuring, speech act theory, and conversational maxims.
Accompanying the text is a pedagogically useful CD-ROM that is a complete workbook with numerous self-testing exercises. Additionally, the CD presents suggestions for pedagogical applications of the material in the textbook in a teachers section.

  • Sales Rank: #339003 in Books
  • Brand: Brand: John Benjamins Publishing Company
  • Published on: 2000-07-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.75" w x 1.00" l, 1.40 pounds
  • Binding: Paperback
  • 357 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Better for Mainstream English
By Lilia A.
I am an ELD teacher in an elementary school. I will use this book for future general language referencing, but the most helpful part was the CD. The book was not accurately described in the reviews which I read before purchasing it, but nevertheless a useful resource on the English language; more or different information is needed for ESL/ELD teachers.

0 of 0 people found the following review helpful.
Overall a good book
By sarai
I found this book useful and am reviewing to help bring the overall rating balance to a more accurate level.

3 of 3 people found the following review helpful.
Poorly Organized
By Aleksandra Krawczyk
This textbook is one of the most poorly organized books I have encountered. It oftentimes spews concepts without providing solid examples, and oftentimes the examples can be found pages ahead of the concept, making it difficult to tie together information. I have read multiple linguistics books and this one has done nothing but confuse and complicate ideas that truly can be understood--if explained well. I found this book uses acronyms before explaining them. Just chapter 8 introduces adverbials using different acronyms without defining them until later, yet on the very first pages of the chapter there are convoluted diagrams using the acronyms to illustrate the concept of verb phrases. These equations look like chemistry equations, and fail to be defined. The definition of what an adverbial is does not even occur until the second page after a type of adverbial (adjunct adverbials) has already been introduced.

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[O631.Ebook] Download Ebook Shh! We Have a Plan, by Chris Haughton

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Shh! We Have a Plan, by Chris Haughton

From the creator of Little Owl Lost and Oh No, George! comes a funny, strikingly illustrated story of best-laid plans — and the secret to attracting the birdie.

Four friends creep through the woods, and what do they spot? An exquisite bird high in a tree! "Hello birdie," waves one. "Shh! We have a plan," hush the others. They stealthily make their advance, nets in the air. Ready one, ready two, ready three, and go! But as one comically foiled plan follows another, it soon becomes clear that their quiet, observant companion, hand outstretched, has a far better idea. Award-winning author-illustrator Chris Haughton is back with another simple, satisfying story whose visual humor plays out in boldly graphic, vibrantly colorful illustrations.

  • Sales Rank: #20262 in Books
  • Published on: 2015-07-15
  • Released on: 2015-07-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.30" h x .68" w x 6.29" l, .31 pounds
  • Binding: Board book
  • 40 pages

From School Library Journal
PreS-Gr 2—In a gorgeous nocturnal landscape of deep purples and blues, four figures go marching along. The three big ones are holding nets, and the little one trails slightly behind. Suddenly, they spy a bright pink bird in the tree. "Hello, birdie," calls the little one. "Shh," reprimands the first one. "SHH!" hisses the next. "We have a plan," explains the third, holding up a birdcage. They tiptoe towards the bird with hilariously expressive body language until, "ready one…ready two…ready three…GO!" But the bird easily evades them, and the three end up in a tangle while the little one looks on. The scenario and "shhs" repeat, and finally, while the big ones are literally down the creek without a paddle, the little one makes friends. In a breathtakingly rich spread, a flock of colorful, jewel-toned birds appear and drive the schemers into retreat. Echoing the opening, the big ones quick-step along under the moonlit sky, nervously glancing behind them and dragging the little one along. The story seems over, but they haven't quite learned their lesson yet. A masterful delight, this crafty caper has huge kid appeal and a title/refrain that will easily sneak into the family lexicon: shh! We have a plan. This perfect blend of circular narrative, deceptively spare art, and humor becomes a story that kids will want to read at storytime, at home, and to themselves if no adult is handy. Plan to make this title a first purchase.—Anna Haase Krueger, Ramsey County Library, MN

Review
In a gorgeous nocturnal landscape of deep purples and blues, four figures go marching along. ... They tiptoe towards the bird with hilariously expressive body language... In a breathtakingly rich spread, a flock of colorful, jewel-toned birds appear and drive the schemers into retreat. ... A masterful delight, this crafty caper has huge kid appeal and a title/refrain that will easily sneak into the family lexicon: shh! We have a plan. This perfect blend of circular narrative, deceptively spare art, and humor becomes a story that kids will want to read at storytime, at home, and to themselves if no adult is handy.
—School Library Journal (starred review)

There’s a bouncy staccato music in the carefully structured text, and listeners will quickly anticipate the patterns and helpfully join in on the repetitions as they root for the little guy who knows better than the big fools. Haugen’s art is original yet easily legible... The temptation to act this out will be almost irresistible, so channel the impulse into an organized (or even semi-organized) performance.
—Bulletin of the Center for Children's Books (starred review)

With cover art recalling Ungerer’s The Three Robbers and the wry sensibility of Klassen’s Hat books, this is a natural choice for any storytime. A spare, humorous text pairs with blocky, digital illustrations to tell the story... Plan on repeated readings.
—Horn Book (starred review)

Big, blocky shapes and intense hues make the action simple to follow, and Haughton’s text is similarly telegraphic. ... The delicious stupidity of the hunting trio, the purity of heart of their small companion, and the sweet-tempered drama of each page turn make this a classic exercise in picture-book making.
—Publishers Weekly

Haughton’s stylish digital illustrations in chunky patches of color make masterful use of hue and contrast—the jazzy warm-toned birds are vibrant when set against the crepuscular blues of the friends and the woods. With only a few words total, a repeated refrain, and a visually unmistakable plot, this is a great choice for emergent readers or a group storytime.
—Booklist Online

A peace-waging parable, presented with wry minimalism � la Jon Klassen or Tomi Ungerer. ... Haughton uses a palette of deep blues and purples for his simple forest scenes; this causes the hunters' googly eyes to stand out comically and also makes the fuchsia, red and orange birds easy to spot and follow. Last seen creeping up on a squirrel, the hunters have plainly learned nothing from their experience…but young readers might. Sure to "net" young audiences, who will definitely root for the birds.
—Kirkus Reviews

It’s one of the best picture books of the year.
—Travis Jonker, 100 Scope Notes

This slapstick adventure (rendered in brilliantly saturated colors) demonstrates that if the best laid plans often go awry, then poorly laid plans don't stand a chance.
—Huffington Post

Many young readers will enjoy the story for its humorous elements while others will nod gently, recognizing its life lessons about the impact of force versus gentleness. The repetitive use of cautionary "Shh"s hissed at the youngster as the gang tries to execute its plans and the moody digital illustrations are bound to make readers feel as though they are moving stealthily through the night.
—Reading Today Online

Delightfully vibrant.
—BuzzFeed

About the Author
Chris Haughton is the creator of Little Owl Lost and Oh No, George! He has taught many courses in design and illustration around the world. In 2007, he was named one of Time Magazine’s DESIGN 100 for his work for Fair Trade and People Tree, and in 2011 he was named one of Booktrust’s Best New Illustrators. Originally from Dublin, Chris Haughton now lives in London.

Most helpful customer reviews

21 of 22 people found the following review helpful.
Love at first sight!
By Sara
THE SHORT VERSION: This book is extraordinary: it's elegant in its simplicity, beautiful on the eyes, and is a delightful story that you won't mind reading over and over again. (Thank goodness for that because you know the kids will ask you to!) I highly recommend this book as a gift for that special young person in your life or as an addition to your own library.

THE LONG VERSION: I was in my local bookstore when this book caught my eye from all the way across the room. What appealed to me was the monochromatic design of the cover with its intense color and contrast. As I approached it, and began to flip through the pages, I knew this one was coming home with me.

I was delighted to learn from Chris Haughton's website that this picture book of a hundred words or so took him two years to create from start to finish. There's something to be said for taking your time to produce high quality work like this one.

I really enjoy children's books that have a certain simplicity to them, where all of the words and images have been streamlined. Shh! We Have a Plan definitely fits into this category with a word count of about one hundred. I find there's a certain elegance to anything that can be simplified in this way, much like Apple technology. The natural ease with which you can navigate this book is very appealing.

Even though the pallet begins as monochromatic, the contrast turns it into visual eye candy. The illustrations are straightforward enough that the reader brings his or her own imagination to the story. Are the characters children, a family, friends? Are they Asian? Caucasian? Inuits? Indian? Vikings? Are they boys or girls? I love that Chris Haughton gives his readers credit instead of spelling out every detail of his vision for this book. The characters' faces are delightfully expressive and readers have the opportunity to see themselves in the characters, no matter your gender, age, or racial background.

Enough about the illustrations, what about the story?

The story is clean and straightforward and does not disappoint. I think both children and adults will identify with the scenario. The youngest character is happy to live in the moment and express himself or herself authentically, while the older characters have a socially agreed upon plan. They don't look kindly on the youngest who misses the subtext and doesn't buy in to their scheme. In fact, the objects that the oldest characters are focused on, are the only images in the book that are not in monochrome. The bright, warm colors of these objects focuses your attention where the characters' attention is, yet another stroke of brilliance. Every few pages the author uses a simple set up device to build anticipation so you can't wait to turn the page. Because the words and dialogue follow the characters across the page, they match up with the action, which is a nice effect.

All the details of this book's design were well considered. The end papers, for example, are more than just gorgeous, they are part of the story. They follow the same color scheme and style, but the end papers in the front of the book differ from those in the back of the book based on a turn of events in the story. On the copyright page, the first words are: "Peace cannot be kept by force; it can only be achieved by understanding." ~Albert Einstein

This quotation lends itself seamlessly to the story, which allows you to reach this gentle conclusion through the actions of the youngest character without "delivering a message". Let's face it, as adults we've all experienced those moments where our youngest expresses a wisdom to us with such clarity that we feel humbled in their diapered, sticky-cheeked presence. This book captures that moment but in an understated way. Also, I couldn't help but chuckle when I saw the book had been typeset in the font, "SHH".

I know... you may be thinking that I'm over analyzing this seemingly simple picture book, but children notice details, even if they don't use words to talk about them. Illustrations are how young children "read" a book. Long before they learn to decode language they are busy decoding the pictures. So in this way great illustrations make great early readers.

Snatch your copy up now before it starts garnering all the book awards so you can say you knew the book way back when...

8 of 8 people found the following review helpful.
Toddler glued to the page again
By Jujuberry37
We loved Oh No George, so we got this one from the library in the hope that we will love this one too. It did not disappoint. From the first read, the 2.5 year old was absolutely chuckling, by the end, the words again, again, were said, several more times. Chris Haughton is just pure genius. His illustrations are so simple, but very child friendly, and they just love the sound effects. I read this to our play group and every single toddler sat and listened. That is the sign of one truly engaging read. I won't summarise the story, you will just have to read it.....

6 of 6 people found the following review helpful.
Short story line for the little ones with unexpected humor
By Sunshine on a Rainy Day
In this book, a little person greets a bird, but the three with him say, "shh, we have a plan." The plan is a way to capture the bird. The little one tries again and again to greet the bird while the others try different ways to capture the bird unsuccessfully. The little one finally has the right idea by offering bread crumbs to the bird. More birds flock to the bread crumbs. When the three people try to capture one of the birds, they get chased off causing them to again change plans.

The text in this book is very simplistic which makes it perfect for the very littlest ones and early readers. The story is full of dry humor. The older ones think they have a smart plan, while it is the little one who knows the best way. The illustrations are very different. Most is colored in hues of blue as on the front cover, but the birds are vibrantly colored. The storyline is very short making this less appropriate for older children who would want more. The final page will leave you laughing.

Ages 3-7. The 6-7 year olds will enjoy the dry humor.

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Rabu, 01 Juni 2011

[K707.Ebook] Download PDF Awake, by Natasha Preston

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Awake, by Natasha Preston

Don't miss the latest gripping, high-stakes thriller from Wattpad sensation Natasha Preston, author of the New York Times Bestseller, The Cellar.

Of course, the dress was white. This is what I'm supposed to die in, I thought. Not many people knew what their last outfit would be.
I pulled it over my head. It fit me perfectly. It had long, loose fitting sleeves, a modest neckline, and waves of material on the skirt. I hated it.
There were no shoes, and I was afraid I'd have to run through the forest barefoot but there weren't a lot of options. Besides, I'd run barefoot over a bed of nails to get away.
"Scarlett, are you ready?" he called.
I looked in the mirror and took a deep breath. Time to fight for my life.

Scarlett Garner doesn't remember anything before the age of four-until a car accident changes everything. She starts to remember pieces of a past that frighten her. A past her parents hid from her...and a secret that could get her killed.

  • Sales Rank: #26040 in Books
  • Published on: 2015
  • Released on: 2015-08-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x 1.00" w x 5.40" l, .0 pounds
  • Binding: Paperback
  • 336 pages

From School Library Journal
Gr 8 Up—Scarlett Garner has a gap in her memory. She can't remember anything before her fourth birthday and because she always develops a headache when she tries, she is starting to accept that her memories are likely lost for good. When Scarlett meets Noah, the new guy at school, she falls hard and fast; Noah is just as smitten as she and quickly begins helping Scarlett work toward regaining her memory. But when Scarlett is in a car accident and starts to have flashbacks, she isn't sure that she wants to remember after all. Fortunately, Noah is the very definition of emotional support. Unfortunately, his motives may not be as pure as they seem. Although centered on Scarlett, if it weren't for the love interest, the novel's interesting but far-fetched plot—can anyone really remember their first four years?—would fall completely flat. Noah dictates the pace of the work and Noah creates and sustains the mood; readers quickly learn that he isn't as he seems and as each chapter reveals just a little more of who Noah really is, readers will find themselves questioning every minute he spends with his would-be victim. Although the progression of Scarlett's relationship with Noah is unrealistic and the thoughts of both characters are repetitive at times, Noah's internal crisis and ultimate decision will keep readers intrigued. VERDICT An engaging but flawed thriller.—Maggie Mason Smith, Clemson University R. M. Cooper Library, South Carolina

About the Author

Natasha Preston is the New York Times bestselling author of The Cellar. A UK native, she discovered her love of writing when she shared a story online—and hasn't looked back. She enjoys writing romance, thrillers, gritty YA, and the occasional serial killer.

Most helpful customer reviews

7 of 7 people found the following review helpful.
This isn't Worth Your Time
By QueenBook
I received an ARC from the publisher via NetGalley in exchange for an honest review. Awake had an interesting premise, and the dual narrators created a lot of dramatic irony. I've read several books dealing with similar topics this year, but none of them used this rather intriguing angle. The narrative is almost entirely dialogue and stage direction, though, so beyond the main internal conflict of each narrator, there is little dimension to the characters. This means that they don't always come across as real people so much as actors in a play, especially the secondary characters who either represent good or evil with no gray areas. I think the plot is engaging enough that most readers will push past that flaw just to see how this one will end. I certainly had a good idea what was going to happen, as will most readers, but the fun was in figuring out how it was going to happen. Unfortunately, I was most distressed by the final resolution to the story. I felt sick when I realized what decision Scarlett was ultimately going to make, especially considering all the growth she displayed as a character in the final third of the book. I was baffled and more horrified by the (probably) unintentional message it sent than by any of the intended horror in the book. If the target audience for a work is the YA crowd, I think it is important to consider what they are going to get out of it, and I just felt like this was setting impressionable readers up to excuse reprehensible behaviors in the name of true love. I wanted to like this book, but in the end, I just can't forgive that ending.

5 of 5 people found the following review helpful.
not the book for me.
By Michelle@Book Briefs
Awake is a young adult thriller. I absolutely love the cover of Awake with the rose and the barbed wire, and the concept of a cult, because I don’t read too many books with cults in them. I was in the mood for something creepy, and I had heard amazing things about Natasha’s last book, the Cellar. Alas, Awake didn’t work out quite the way I wanted it too. I liked it alright, but it certainly wasn’t my favorite. Most of the reason that I didn’t flat out hate this book was because the concept was intriguing to me, and I genuinely wanted to see where the author was going to go with it. Which to me means that Natasha’s Preston’s writing was not the issue for me. Awake was a technically solid book, as far as writing goes.

First, and this is a minor point, but the summary says that Scarlett couldn’t remember anything before the age of 5, but the story has the age at 4. I know that is a little point, but honestly 5 in the story would have been better. Because I can’t remember anything before the age of 4! (or 5 for that matter) The things that I do remember, I am pretty sure are not my own memories, but rather memories of stories that other people have told me. But fine, if Scarlett is freaked out because her lack of memories feels scary or weird to her, I could get on board with that. It is everyone else’s reactions that had me pulling me hair. They were flat out shocked whenever they found out that she couldn’t remember. Like it was the weirdest thing they had ever heard. And that was where the author started to lose me. It felt like a disconnect with the summary and with the story. I know that sounds weird so let me try and explain that means. (I have seen different versions of the summary floating around as I format this post, but the issues with the story remain the same. These things still bugged me even though the summary cleared it up. I am glad that the summary was modified though, I think that will help with other readers checking out Awake.)

My other main issue was with Summary Noah and Noah in the story. In the summary, it makes Noah seem like he is going to be protecting Scarlett from the cult, but then when I was reading the book, it really did not seem to be that way. You do get more answers as the story progresses but I couldn’t connect with either of the characters because they just seemed so out there to me. Noah is creepy beyond belief and Scarlett just fell flat for me. I found Awake to be confusing and too many things just didn’t jive and add up in my mind to make this story work. Fans of creepy stories and cults and darker versions of people (think really messed up) might get the appeal of Awake. I wanted this book to work out for me, but it just didn’t. I didn’t hate it, but I really didn’t love it either.

*Disclaimer- I got a copy of this book for free in exchange for my honest review. I was not compensated for my thoughts.

3 of 3 people found the following review helpful.
Weird premise and boring characters
By Cynthia Parten
When I am finding myself either bored or irritated throughout most of the book, that is not a good sign. It's really not a good sign when I am irritated starting at page three. First of all, it bugged me that everyone made such a big deal about the fact that Scarlett could not remember anything before the age of four. I mean, who cares? I really don't remember much about that time period, if anything. Actually, I think the first eight or nine years of my life passed in a blur. Not only does everyone think it's weird, but Scarlett feels the need to announce it to Noah approximately five minutes after they met. And she kept thinking she was different or weird for it. I swear, I rolled my eyes every time that was mentioned. I know there was a traumatic event that happened to her before the age of four, but I feel there was a better way the author could have handled that. Amnesia before the age of four was not the way to go.

Let's talk about the characters. Scarlett was a whiny, boring character. And seriously, couldn't they do something together besides watch movies? Sorry, but their description of a movie night at every other page almost put me to sleep. I like watching movies as much as the next person, but it's like she had no interests and no hobbies. That's how boring she was. Her relationship with Noah was just as boring. Somehow they started hanging out all the time after a day, they were so in love with each other, but they didn't even kiss for three weeks. Annoying and boring. There was zero chemistry there. The author also showed Noah's POV, but I couldn't even tell the voices apart. The only difference between his POV and Scarlett's was which pronoun they used about the person they were with. Scarlett had a friend, Imogen, for the first two chapters of the book. After some pouting because she didn't have a boyfriend and Scarlett did, she was basically forgotten about in favor of Noah. Sigh. Could I get one decent female friendship in a YA novel? Please? Is that too much to ask?

I will say that the book had a bit more action at about the halfway mark. That is when I became more interested in what was happening. That was when they revealed to Scarlett the truth about Eternal Light. Now when it became clear what their plan was with Scarlett, I hated Noah. Seriously hated him. Not to give too much away, but I really don't understand how any decent human being could have fallen for their plan. I know leaders of cults are good at brainwashing people, but this was so far out there. And there was never any explanation for why these people fell for it or why they believed it to begin with. So there is a point when Scarlett was in danger and there was some fast paced action. I enjoyed this part of the book a lot more than all the buildup. But the ending was just a little too wrapped up for me. The author did have kind of an open ending in one respect so there could be a sequel in the future. If there is, I have zero interest in reading it.

I received this ARC from NetGalley in exchange for my honest review.

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Jumat, 20 Mei 2011

[O487.Ebook] Ebook Download Biology: How Life Works, Volume 1: (Chapters 1-24), by James Morris, Daniel Hartl, Andrew Knoll, Robert Lue

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Biology: How Life Works, Volume 1: (Chapters 1-24), by James Morris, Daniel Hartl, Andrew Knoll, Robert Lue

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Biology: How Life Works, Volume 1: (Chapters 1-24), by James Morris, Daniel Hartl, Andrew Knoll, Robert Lue

Rethinking biology means rethinking the text, the visual program, and assessment.
�
Ordinarily, textbooks are developed by first writing chapters, then making decisions about art and images, and finally, once the book is complete, assembling a test bank and ancillary media. This process dramatically limits the integration across resources, and reduces art, media, and assessments to ancillary material, rather than essential resources for student learning.� �Biology: How Life Works is the first project to develop three pillars—the text, the visual program, and the assessment—at the same time. All three pillars were developed in parallel to make sure that each idea is addressed in the most appropriate medium, and to ensure authentic integration. These three pillars are all tied to the same set of core concepts, share a common language, and use the same visual palette. In this way, the text, visual program, and assessments are integral parts of student learning, rather than just accessories to the text.
RETHINKING THE TEXT

Integrated
Biology: How Life Works moves away from a focus on disparate topics, towards an integrated approach. Chemistry is presented in context, structure and function are covered together, the flow of information in a cell is introduced where it makes the most conceptual sense, and cases serve as a framework for connecting and assimilating information.�Selective
Biology: How Life Works was envisioned not as a reference book for all of biology, but a resource focused on foundational concepts, terms, and experiments. This allows students to more easily identify, understand, and apply critical concepts, and develop a framework on which to build their understanding of biology.�Thematic
Biology: How Life Works was written with six themes in mind. Introduced in Chapter 1 and revisited throughout, these themes provide a framework that helps students see biology as a set of connected concepts. In particular, the theme of evolution is emphasized for its ability to explain and predict so many patterns in biology.�RETHINKING THE VISUAL PROGRAM
Integrated
Across Biology: How Life Works—whether students are looking at a figure in the book, watching an animation, or interacting with a simulation—they always see a consistent use of color, shapes, and design.�Engaging
Every image—still and in motion—engages students by being vibrant, clear, and approachable. The result is a visual environment that is expertly designed to pull students in, deepens their interest, and helps them see a world of biological processes.�A Visual Framework
To help students think like biologists, the visual program is designed to be a framework for students to hang the concepts and connect ideas. Individual figures present foundational concepts; Visual Synthesis figures tie multiple concepts across chapters together; animations bring these figures to life; and simulations let students interact with the concepts. Collectively, this visual framework allows students to move seamlessly back and forth between the big picture and the details.�RETHINKING THE ASSESSMENT
Range
Developed by a broad community of leading science educators, the assessments for Biology: How Life Works address all types of learning, from recall to synthesis. They are designed to be used in a variety of settings and come in a wide range of formats (multiple choice, true/false, free response).�Integrated
Assessment is seamlessly integrated into the text and the visual program (both in print and interactive). Each time an instructor asks a student to engage with Biology: How Life Works—whether it is reading a chapter, watching an animation, or working through an experiment—the opportunity to assess that experience exists.�Connected
Many of the questions and activities for Biology: How Life Works are organized in sets called Progressions.� Questions in a Progression are aligned with one or more core concepts, and are designed to move a student from basic knowledge to higher order skills and deeper understanding.� Progressions questions can be used individually or in a series as pre-class quizzes, in-class clicker questions or activities, post-class homework, or exams.� When used in sequence, Progressions provide a connected learning path for students.

  • Sales Rank: #2363536 in Books
  • Published on: 2015-07-24
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.78" h x .80" w x 9.14" l, .0 pounds
  • Binding: Paperback
  • 592 pages

About the Author

James R. Morris is Associate Professor in the Biology Department at Brandeis University. He teaches a wide variety of courses for majors and non-majors in evolution, genetics, genomics, anatomy, and health sciences. In addition, he teaches a first-year seminar focusing on Darwin’s On the Origin of Species. He is the recipient of numerous teaching awards from Harvard and Brandeis. His research focuses on the rapidly growing field of epigenetics, making use of the fruit fly Drosophila melanogaster as a model organism. He currently pursues this research with undergraduates in order to give them the opportunity to do genuine, laboratory-based research early in their scientific careers. Dr. Morris received a Ph.D. in genetics from Harvard University and an M.D. from Harvard Medical School. In addition, he was a Junior Fellow in the Society of Fellows at Harvard University, gave talks to the public on current science at the Museum of Science in Boston, and works on promoting public understanding of personal genetics and genomics.

Daniel L. Hartl is the Higgins Professor of Biology in the Department of Organismic and Evolutionary Biology at Harvard University. He has taught highly popular courses in genetics and evolution at the introductory and advanced levels. His lab studies molecular evolutionary genetics and population genetics and genomics. Dr. Hartl is the recipient of the Samuel Weiner Outstanding Scholar Award and the Medal of the Stazione Zoologica Anton Dohm Naples. He is a member of the National Academy of Sciences and the American Academy of Arts and Sciences. He has served as President of the Genetics Society of America and President of the Society for Molecular Biology and Evolution. Dr. Hartl’s Ph.D. was awarded by the University of Wisconsin, and he did post-doctoral studies at the University of California, Berkeley. Prior to joining the Harvard faculty, he served on the faculties of the University of Minnesota, Purdue University, and Washington University Medical School. In addition to publishing more than 350 scientific articles, Dr. Hartl has authored or coauthored 30 books.

Andrew H. Knoll is the Fisher Professor of Natural History in the Department of Organismic and Evolutionary Biology at Harvard University. He is also Professor of Earth and Planetary Sciences. Dr. Knoll teaches introductory courses in both departments. His research focuses on the early evolution of life, Precambrian environmental history, and the interconnections between the two. He has also worked extensively on the early evolution of animals, mass extinction, and plant evolution. He currently serves on the science team for NASA’s mission to Mars. Dr. Knoll received the Phi Beta Kappa Book Award in Science for Life on a Young Planet. Other honors include the Paleontological Society Medal and Wollaston Medal of the Geological Society, London. He is a member of the National Academy of Sciences, the American Academy of Arts and Sciences, and the American Philosophical Society. He received his Ph.D from Harvard University and then taught at Oberlin College before returning to Harvard.�

Robert A. Lue is Professor in the Department of Molecular and Cellular Biology and Director of Life Science Education at Harvard University. He regularly teaches in Harvard’s first-year Life Sciences program and upper-level courses in cell biology. He has a longstanding commitment to interdisciplinary teaching and research, and chaired the faculty committee that developed an integrated science course to serve multiple science majors and premedical students. Dr. Lue has also developed award-winning multimedia, including the animation “The Inner Life of the Cell.” He has coauthored undergraduate biology textbooks and chaired education conferences on college biology for the National Academies and the National Science Foundation, and diversity in science for the Howard Hughes Medical Institute and the National Institutes of Health. He also founded and directs a Harvard life sciences outreach program that serves over fifty high schools. He received his Ph.D. from Harvard University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By ttw97
as it was described

10 of 10 people found the following review helpful.
It doesn't come with any launch pad access code
By marise4
Do not buy this book if you are expecting it to come with launch pad access like it advertises. It doesn't come with any launch pad access code and the ~70$ you are paying just for renting is for the hardcopy book only. If you can buy or borrow this from a previous student you can get a better deal because this is really the only online option you're going to find. If you don't want the ebook and access code from the site and want a hard copy, borrow the book from a previous student and just pay for the 80$ online access separately :/ its probably the best deal you're going to get with this ridiculous program.

1 of 1 people found the following review helpful.
I didn't like it.
By Jay
I had to use this book for my intro biology course, and I must say that it was horrible. The way everything was structured and explained was just awful. I eventually gained the wisdom to go and buy Campbell's biology book and haven't looked back at this deplorable book since.

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Rabu, 18 Mei 2011

[O826.Ebook] Ebook Free Systematic Instruction in Reading for Spanish-Speaking Students, by Elva Duran

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Systematic Instruction in Reading for Spanish-Speaking Students, by Elva Duran

Students whose first language is not English are the fastest-growing group in public schools in all regions of the United States. Almost 10 million children between the ages of five and 17 live in the homes and communities in which a language other than English in spoken and presently most schools in the U.S. are under-educating many English learners. The achievement of Hispanic students needs to improve dramatically over the next five years and this book describes the cornerstone elements for bringing about this change. The initial chapter introduces direct instruction to be used with reading and literacy programs. Chapters 2 and 3 provide excellent review of the literature in language development and address developing language instruction, listening, and speaking with Spanish-speaking students and offers what a comprehensive language development program should look like. Chapter 4 reviews academic language and literacy instruction while the next addresses the components of instruction in Spanish. Chapter 6 offers lesson plan suggestions for Spanish-speaking students, while the following two sections discuss components that transfer and do not transfer in Spanish to English reading instruction. Chapter 9 reviews English language development and provides lesson plans for implementing SDAIE programs. Finally, Chapter 10 discusses two-way bilingual immersion and shares actual classroom schedules and lessons. This unique text will help in the preparation of primary grade teachers throughout the U.S. so that they may be successful with Hispanic students entering the public schools with little or no English background. It will also be a useful tool for school districts' staff development in addressing school improvement goals for increasing the achievement of Hispanic students.

  • Sales Rank: #1241165 in Books
  • Published on: 2012-04-03
  • Original language: English
  • Dimensions: 10.50" h x 8.25" w x 1.00" l, .0 pounds
  • Binding: Paperback
  • 399 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great book for working with Spanish-speaking students
By AryanaM
Great book for working with Spanish-speaking students, while some of the chapters are somewhat long, they are very informative and gives you concrete examples of how best to work with students within some of these populations.

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[T196.Ebook] PDF Ebook Essential Literary Terms: A Brief Norton Guide with Exercises, by Sharon Hamilton

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Essential Literary Terms: A Brief Norton Guide with Exercises, by Sharon Hamilton

Essential Literary Terms: A Brief Norton Guide with Exercises, by Sharon Hamilton



Essential Literary Terms: A Brief Norton Guide with Exercises, by Sharon Hamilton

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Essential Literary Terms: A Brief Norton Guide with Exercises, by Sharon Hamilton

Essential Literary Terms offers clear, concise definitions over 220 must-know literary terms for introductory students.

Drawing on her extensive teaching experience, Sharon Hamilton uses classroom-tested examples and exercises to reinforce students’ understanding and help them apply what they learn in their own writing.

  • Sales Rank: #41549 in Books
  • Brand: W.W. Norton & Co
  • Published on: 2006-11-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .70" w x 6.00" l, 1.00 pounds
  • Binding: Paperback
  • 320 pages

About the Author
Sharon Hamilton (Ph.D. Illinois at Urbana-Champaign) has taught college literature courses at Eastern Michigan, Baylor, and Hunter, and advanced-placement English at Phillips Exeter Academy and the Buckingham Browne & Nichols School, where she currently teaches. She is an award-winning teacher, NEH teaching workshop leader, and AP Consultant for the College Board. She is author of Shakespeare’s Daughters, Shakespeare: A Teaching Guide, as well as multiple books on solving common writing problems.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
thorough, in-depth, and filled with examples; a valuable resource

0 of 0 people found the following review helpful.
Just what I wanted
By William J. Edwards Jr.
For teaching English composition and literature, it helps me condsiderably. I will use it repeatedly in my classes to make worksheets.

0 of 0 people found the following review helpful.
Five Stars
By Nancy S
Arrived as expected, thanks

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Essential Literary Terms: A Brief Norton Guide with Exercises, by Sharon Hamilton iBooks
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